One day in 1986, François Mitterrand forgets his black felt (his initials) in a Lyons restaurant. Daniel Mercier, a young executive who has just been reprimanded by his superior, who judges that the computerization of its business plan is stupid, steals it to clear his head. It was then that his life is turned upside down.

A peaceful provincial notable saves the life of a man who has just had a car accident. He has no idea that his life is going to be completely turned upside down…. Because Jean-Bernard Hollier is what we can call a “ball”. A ball with a big heart but above all a ball… And by wanting to thank his savior at all costs, he is just going to make his life hell! Not happy mafiosi, burglaries and troubles of all kinds will rain down on the two men and their family... All they have to do is work together to get out of this mess... But that is not a foregone conclusion. …

Roman has two problems: First problem: he is twice the age of Lulu. Second problem: it is not at all a problem for Lulu.

In 1981, an unusual person arrives in Natashquan, marking the beginning of an unlikely love story between this small Quebec village and the young man they call “The Punk”. Five years later, he vanishes without a trace, forever impacting the community. 　　Filmed 40 years after his disappearance, The Punk of Natashquan is a cinematic investigation that ventures into the mythology of “The Punk”. Drawing on the styles of direct cinema and true crime, blended with archive, this short film blurs the boundaries between reality and legend, creating a portrait of the spirit of The Punk— captivating, complex, and as genre-defying as the man himself.

Marie is a doctor. She smokes and reads a lot. And speaks from time to time with the dead. Today, she learns that it is her turn to die. She only has to live a few weeks. It’s short. She must act quikly, dream, laugh and still live.

Labarthe was very much in the orbit of the French New Wave—he appears as an actor in Godard’s My Life to Live—and his collaborator, Janine Bazin, was the widow of film theorist and Cahiers du cinéma co-founder André Bazin. Yet by 1964, five years after the explosion of the movement onto French and international screens, doubts about the true impact of the New Wave had emerged. Labarthe and Bazin assembled an intriguing round-table made up of Cinématheque Française director Henri Langlois, and filmmakers Alexandre Astruc, Pierre Kast and Agnès Varda to discuss the past, present and future of the movement.

Emily returns home when her mother dies to only come across her estranged twin sister and her new boyfriend as they gaslight her into a new reality, fitting the boyfriend's needs.